Showing posts with label Centaur. Show all posts
Showing posts with label Centaur. Show all posts

Thursday, September 27, 2012

...another short story about love.


It would never work between them, could never work. As their parents tried to tell them, they were from two different worlds…

He was a centaur, she a mermaid. But they didn’t let this stand in the way of their love, preferring to focus instead on the things, and there were many, that they did have in common rather than those things that made them different.

Oh, their parents didn’t approve, but it was the twenty-first century and they weren’t about to allow stodgy family traditions to keep them from a lifetime of happiness together. Ultimatums were made, elopements threatened, and in the end their engagement was, if not embraced, accepted.

It was a beautiful ceremony, the two of them making their way down the aisle, him along the beach and her through the surf. Even the most traditional among their family had to admit that much, at least.

And yes, their life together would bring it’s own challenges. However much they loved one another, they could never be together for long without one or the other suffocating, and children, for obvious reasons, would remain forever beyond the realm of possibility. Yet still, knowing all this as they did, they pledged themselves to one another for a lifetime.

Because that’s what love is.

It’s the willingness to see the problems the life you wish to spend together may yet cause, but still prefer them to being without that one person who completes you.

And so, hand in hand in shoulder-depth water, they were wed. Centaur and Mermaid, husband and wife.

And if they can make love work, maybe we can still hope not to fuck it up in our own lives…

Thursday, August 30, 2012

Why I'm Not Allowed to Make Big-Budget Hollywood Films


I want to make a movie.

Basically, I want a film where a Centaur in a near-future Detroit goes to work for the police force.

Part man, part horse, all cop.

I’ll be running it film noir style, when he starts out investigating the murder of a particle physicist, killed shortly before the activation of his new, clean-energy producing centaur-fuge, but as the story progresses he’ll be drawn deeper into a world-spanning conspiracy, as what seems at first to be a simple murder investigation quickly spirals beyond his control, and he realizes that he’s discovered the crime of the centaur-ey.

Meanwhile, his parents, two tradition-minded centaurs, who still live in the forest, hunt with bows, and help adventurers briefly in the third act, disapprove strongly of his choice to become a cop in Neo-Detroit, and much will be made of the friction between our lead and his father. This conflict will be the emotional centaur of our story.

But don’t worry, I won’t be overly centaur-mental with how I handle it.

I’m in talks with Antony Hopkins, as I’m confident he’ll give a centaur-de-force performance in my little film. He always does. I’m not sure, however, if I’ll be using him as the father, or as the chief of police under which our lead works. The chief will be an older, wiser, Obi-Wan-style figure in our lead’s life, who helps him find the answers he needs to resolve both the case AND his friction with his family.

Sort of a mentor-centaur.

It will also feature an original soundtrack by Pat Cenitar.

Will this movie be successful? Who can say? Financially I would imagine not. Artistically? Also unlikely, I imagine it’ll be centorture to watch.

Still, if you judge a film by its ability to make me laugh my head off, I think this one will do quite well…

NEXT WEEK: I want to make a movie about a blind, retired army colonel, who hires a lady centaur to take care of him over the Thanksgiving weekend. I’ll call it: Centaur a Woman.