Showing posts with label Unknowable Horror. Show all posts
Showing posts with label Unknowable Horror. Show all posts

Thursday, September 20, 2012

#HeIsRisen


I learned about it, as I learn most news nowadays,  via Twitter. Though at first I didn’t have the faintest idea what was going on.

The hashtag #HeIsRisen doesn’t give away a lot of information, after all. And when I did a search to see how it was being used, everyone seemed to studiously avoid giving anything away.

Some of the tweets, many of the tweets, were merest gibberish, not even words, as though everything but the hashtag had simply been typed at random. Others, though made up of English words, put them in no order as to even remotely resemble a sentence.

And what few sentences there were only cast more doubt as to what #HeIsRisen might mean.

“All mankind shall tremble as one before him #HeIsRisen”

“His eons sleep, over. Finally he awakens, to break his horrible fast #HeIsRisen”

“We who yet live, we are the truly damned #HeIsRisen”

Interesting, to be sure, but still no clue was given as to who “He” was, or what he’d risen from. Still, as the day progressed and I went about my business, I couldn’t help noticing as more and more of the people I follow succumbed to the ‘tag. They’d use the phrase, and the quality of their tweets would immediately descend into the depths of the unreadable.

Or at least the unfollowable.

It felt as though there were some game going on, some inside joke that I happened to be outside of. But were that the case, surely somebody on my Twitter would’ve responded to my direct messages with answers. Most of the people I follow are pretty cool, after all, and they’re generally happy to answer questions if I ask.

But no, there was nothing. Neither response to messages, nor any clue to be gleaned from the increasingly incoherent tweets rocketing back and forth regarding #HeIsRisen.

Which was distressing. If people were tweeting something fun I wanted to participate! Or at the very least, to get the joke. But there was nothing to be done about it until I got home from my grocery shopping and could Google the phrase. Hopefully that would provide a little more detail than Twitter seemed willing to.

The search was, apparently, a popular one, because the very first result was a YouTube video, titled “#HeIsRisen: Real Footage of his Rise” and then descending into the same sort of delirious raving I’d grown, from Twitter, to expect with regard to this hashtag in lieu of a description.

Finally, the answers I sought were available to me! Firsthand footage of whatever it was the mystery ‘tag referred to, available at the click of a link! I knew, once I got home and was no longer struggling through the internet via blackberry, that I’d be able to look it up easily enough, and the internet didn’t let me down.

Why would it? Everyone has a video camera nowadays, and so it’s a matter of merest seconds between event and video, plastered across YouTube, linked across Twitter, spread to the world. I lived in an age in which more information was at my fingertips than any generation in human history had access to, and if I wanted information about why people were excited, yet unwilling to describe, #HeIsRisen, it would take me seconds, not minutes, to find it.

And so, I clicked the link.

God have mercy on us all, I clicked that forsaken link.

I can feel my mind abandoning me, even now, the vision of that gibbous, tentacled thing emerging from beneath the sea and taking it’s first, slouching steps up onto land was too much for any mind to bear, don’t you see?

Madness was the only possible result of the hideous scene I witnessed, but I must hold my splintering sanity together. I must. For a few moments more, at the very least.

For this is a momentous occasion. He is risen. Truly, he is.

And I need to Tweet about it…

Friday, July 13, 2012

Teenaged Nightmare


Taken from the reviews section of Music Maven Magazine, October 2015 issue.

Katy Perry
….another thing.
3 stars out of 5.

When Katy Perry became the mortal host for the spirit of Gaia, absorbing the power of the breathing soul of the world and using it to return the dark lord Ne’charthro’hu to its slumber beneath the sea, saving humanity from ten thousand years of torment, the first question on the average music journalist’s mind was likely not “how will this affect the sound of Ms. Perry’s next album?"

In fact, if I can be taken as an example of an average music journalist (I flatter myself that I can) we were more interested in fighting our way through still burning cities to find our families and tell them how much they mean to us in the aftermath of what came precariously close to global superapocalypse.

Nonetheless, previous to becoming the living embodiment of the human spirit, she-who-is-all-of-us was a pop singer of some renown. Her last album, 2010’s Teenaged Dream, sold 5.5 million copies worldwide, spinning off an impressive 8 international top 10 hits and gaining its young mastermind enough media exposure that, even before Ne’charthro’hu awoke and threatened to devour mankind, she was already a ubiquitous figure in the pop landscape. With this in mind, it should be no surprise that, after taking two years of “Katy Time” to adjust to her new status as a demigod (and have a baby), Ms. Perry would return to her day job and release a new album, and it should be equally unsurprising that said album would be difficult to judge on its own merits, being tied as it is to a metabeing such as Ms. Perry.

So, how does “…another thing” stand, divorced from its back-story as best it can be? It’s… fine, I suppose. The album’s built around three main pillars, the energetic leadoff single Heartbeaten, already a fixture of pop radio, the slinky, Roxy Music inspired dance number Underwater, sure to join Heartbeaten at the top of the charts when it’s finally released as a single, and the soaring orchestral ballad My Own Self. From the titles, one would assume that some portion of “…another thing” is an exercise in introspection, as Ms. Perry attempts to put the recent massive changes in her life into some kind of context digestible to the mainstream pop audience, but nothing could be further from the truth. Lyrically the album eschews any overt reference to how close humanity came to extinction, choosing instead to play it safe, taking refuge in party-pop clichés of bars, boys and pg-rated double entendres.

Which isn’t to say this is a bad thing, necessarily. Ms. Perry has never been an artist who thrives outside her comfort zone, and her formulae has in the past made for some immensely satisfying pop. However, what “…another thing” suffers from that her previous albums lacked is filler. A lot of filler. Understandable, perhaps, that between visits to gracious world leaders and explaining and re-explaining that no, she does not require worship from the people of Earth for what she’s done for us, she’d have too much on her plate to devote a full measure of attention to this project even if she’d wanted to, but nonetheless, once you venture outside the three massive tracks this album’s built around it starts to sound extraordinarily slight.

The songs bounce along at a brisk clip, and they’ll keep your toes tapping, but there’s very little behind them to remember, even seconds after you stop listening. Teenaged Dream may not have been deep, but it was at least fun from beginning to end, by the time you get to the end of this album you’re left with the impression that it’s only half finished, that the songs are too little, the production too rushed and that Ms. Perry was called away before its completion to attend to some more urgent business. The singles are there, and all three will do a fine job of defining commercial radio circa 2015 for future generations, but in between stretches what at times feels like a wasteland of missed opportunity.

And let’s not be coy about this, I’m as happy as the next pop reviewer not to be devoured body and soul by an ancient, eldritch being beyond all human comprehension, but the duet with Pitbull here does NOT work, and no amount of saving humanity will ever cause me to say otherwise.

None of which, by the way, is in any way relevant in terms of how this album will do commercially. From the success of Heartbeaten (18 weeks and counting at #1 on the pop charts, and 14 million copies sold worldwide to date) it’s clear that “…another thing” is a serious contender to take its spot as the most successful commercial pop album in the history of the form, regardless of its objective quality. The world watched Katy Perry save them from the endless night of screaming, and the world now seems more than willing to show its savior just how grateful they are. I, for one, received a review copy of this album, and intend to buy several copies at full price anyway. It seems like making pop music is something of personal import to Katy Perry, and I’m only too happy to do my part to indulge her in this pursuit.

I only wish I could’ve gotten a more substantial album out of the process…

Sunday, November 13, 2011

Weekly prompt Story: The View from my Window

Hey! I got so caught up in Nanoing I completely forgot my Sunday prompt story until 8 minutes before it was due! Seven minutes now! I better get that posted, eh?

http://podcasting.isfullofcrap.com/2011/11/13/weekly-challenge-290-what-is-the-first-thing-you-see-out-your-window/


The View From My Window
By Christopher Munroe

There’s screaming outside my apartment.

And as I listen from my chair, I’d swear it sounds like my neighbor.

Idiot. He knows when the sun sets, we all do. It’s why we instituted the curfew.

If he’s gone outside, what’s happening is his own damn fault.

I know that. Everyone does.

Still, hearing him screaming I can’t help feeling guilty.

I wish he’d stop.

He will soon.

I know I ought to at least try to help, but I can’t bring myself to go to my window and take a look into the street.

For fear of what I’d see…